My Best Sources Are My Travels And

I Keep Very Weird Hours. I Never Know When I'm Going To Get An Idea.

Sometimes, You Start With The Drawing And Then The Gag Comes To You In The Middle Of It. That Is When You Start Working On The Solution Of The Gag, Which Is Composition, Placing, Equilibrium, And Character Design.

If I See That Something Is Wrong, I Don't Care Who Says It. Whether It's A Republican Or Democrat, The Left Or The Right. If They Are On The Opinion Of The Right Thing, That's What I Will Talk About. I Won't Proselytize Or Make The Strong Things To Influence Other People About Any Particular Politics, Except The Decency Of Things, The Logic Of Things. That's Why I Don't Get That Much Involved In Politics Directly.

Many Of The American Cartoonists That Want To Have A Job And Go So Much For The Total Right Without Thinking, Sometimes They Get A Slap On The Face When Their Politician Lets Them Down. So It Goes On And On. The Thing Is Staying In The Middle And Not Getting Committed, Trying To Get The Best Of Both And Do That With A Sense Of Humor.

My Work Is So Unorthodox That From One Panel To The Next, The Drawings Are Completely Different... Totally Opposed To The Way Of Working In Something Like Animation, Where Every Drawing Has To Look Like The One Before.