Most Of The Early Part Of An

As A Means Of Supporting Experiential Element In Film, Once I Begin To Work On A Particular Movie I Consider Myself To Be The Tool Of The Director.

Everybody's Old Enough For A Beer, Ain't That Right, Mule?

A Star On A Movie Set Is Like A Time Bomb. That Bomb Has Got To Be Defused So People Can Approach It Without Fear.

I Just Know That Sameness, Repetition, And Conceptualizing Are The Acting Craft's Adversaries, And It Seems More Intelligent To Start Off Within A Framework Where Those Things Are, To Some Degree, Taken Out Of Your Hands.

I Mean, It's Real Hard To Be Free When You Are Bought And Sold In The Marketplace.