More And More I Find I Want

You Know That In Order To Copyright Material Somebody Has To Write It Down For You. Any Piece Of Recorded Material Has To Be Scored In Order For It To Be Copyrighted. I've Seen The Scores Of My Things And They Don't Resemble The Music In Any Way. If You Give Them To Somebody Who Has Never Heard The Music And Say, "what Does This Sound Like To You?" They'll Play You Something That Has No Relationship With The Music It Derives From. Notation Simply Isn't Adequate.

I Hate Talking About Music, To Tell You The Truth.

Stop Thinking About Art Works As Objects, And Start Thinking About Them As Triggers For Experiences.

I Describe Things In Terms Of Body Movements. I Dance A Bit To Describe What Sort Of Movement It Ought To Make, And That's A Good Way Of Talking To Musicians. Particularly Bass Players.

Once I Started Working With Generative Music In The 1970s, I Was Flirting With Ideas Of Making A Kind Of Endless Music - Not Like A Record That You'd Put On, Which Would Play For A While And Finish.