Modern Life Is Moving Faster Than The

In A Sense The Car Has Become A Prosthetic, And Though Prosthetics Are Usually For Injured Or Missing Limbs, The Auto-prosthetic Is For A Conceptually Impaired Body Or A Body Impaired By The Creation Of A World That Is No Longer Human In Scale.

Musing Takes Place In A Kind Of Meadowlands Of The Imagination, A Part Of The Imagination That Has Not Yet Been Plowed, Developed, Or Put To Any Immediately Practical Use…time Spent There Is Not Work Time, Yet Without That Time The Mind Becomes Sterile, Dull, Domesticated. The Fight For Free Space — For Wilderness And Public Space — Must Be Accompanied By A Fight For Free Time To Spend Wandering In That Space.

Perhaps The Central Question About [eliot] Porter's Work Is About The Relationship Between Science, Aesthetics, And Environmental Politics. His Brother, The Painter And Critic Fairfield Porter, Wrote In A 1960 Review Of [porter's] Colour Photographs: 'there Is No Subject And Background, Every Corner Is Alive,' And This Suggests What An Ecological Aesthetic Might Look Like.

For Me, Being In A Car Or On An Airplane Is Like Being In Limbo. It's This Dead Zone Between Two Places. But To Walk, You're Some Place That's Already Interesting. You're Not Just Between Places. Things Are Happening.

Las Vegas Suggests That The Thirst For Places, For Cities And Gardens And Wilderness, Is Unslaked, That People Will Still Seek Out The Experience Of Wandering About In The Open Air To Examine The Architecture, The Spectacles, And The Stuff For Sale, Will Still Hanker After Surprises And Strangers. That The City As A Whole Is One Of The Most Pedestrian-unfriendly Places In The World Suggests Something Of The Problems To Be Faced, But That Its Attraction Is A Pedestrian Oasis Suggests The Possibility Of Recovering The Spaces In Which Walking Is Viable.