Memory Is To Love What The Saucer

What Must Novel Dialogue . . . Really Be And Do? It Must Be Pointed, Intentional, Relevant. It Must Crystallize Situation. It Must Express Character. It Must Advance Plot. During Dialogue, The Characters Confront One Another. The Confrontation Is In Itself An Occasion. Each One Of These Occasions, Throughout The Novel, Is Unique.

Whenever Possible I Avoid Talking. Reprieve From Talking Is My Idea Of A Holiday. At Risk Of Seeming Unsociable, Which I Am, I Admit I Love To Be Left In A Beatific Trance, When I Am In One. Friendly Romans Recognize That Wish.

If You Look At Life One Way, There Is Always Cause For Alarm.

Where Would The Irish Be Without Someone To Be Irish At?

Characters Should On The Whole, Be Under Rather Than Over Articulate. What They Intend To Say Should Be More Evident, More Striking (because Of Its Greater Inner Importance To The Plot) Than What They Arrive At Saying.