Memories Images, Once They Are Fixed In

I Could Distinguish The Shape Of Her Bosom, Her Arms, Her Thighs, Just As I Remember Them Now, Just As Now, When The Moon Has Become That Flat, Remote Circle, I Still Look For Her As Soon As The First Sliver Appears In The Sky, And The More It Waxes, The More Clearly I Imagine I Can See Her, Her Or Something Of Her, But Only Her, In A Hundred, A Thousand Different Vistas, She Who Makes The Moon The Moon And, Whenever She Is Full, Sets The Dogs To Howling All Night Long, And Me With Them.

Cities, Like Dreams, Are Made Of Desires And Fears, Even If The Thread Of Their Discourse Is Secret, Their Rules Are Absurd, Their Perspectives Deceitful, And Everything Conceals Something Else.

My Working Method Has More Often Than Not Involved The Subtraction Of Weight. I Have Tried To Remove Weight, Sometimes From People, Sometimes From Heavenly Bodies, Sometimes From Cities; Above All I Have Tried To Remove Weight From The Structure Of Stories And From Language. . . . Maybe I Was Only Then Becoming Aware Of The Weight, The Inertia, The Opacity Of The World--qualities That Stick To The Writing From The Start, Unless One Finds Some Way Of Evading Them.

The Inferno Of The Living Is Not Something That Will Be; If There Is One, It Is What Is Already Here, The Inferno Where We Live Every Day, That We Form By Being Together. There Are Two Ways To Escape Suffering It. The First Is Easy For Many: Accept The Inferno And Become Such A Part Of It That You Can No Longer See It. The Second Is Risky And Demands Constant Vigilance And Apprehension: Seek And Learn To Recognize Who And What, In The Midst Of Inferno, Are Not Inferno, Then Make Them Endure, Give Them Space.

Knowledge Of The World Means Dissolving The Solidity Of The World.