Megacollectors Suppose They Can Enter Art History

To Me, Nothing In The Art World Is Neutral. The Idea Of 'disinterest' Strikes Me As Boring, Dishonest, Dubious, And Uninteresting.

In 1998, Artnet Was The Site That Convinced Me That If My Writing Didn't Exist Online, It Didn't Exist At All. It Showed Me Criticism's Future.

The Alchemy Of Good Curating Amounts To This: Sometimes, Placing One Work Of Art Near Another Makes One Plus One Equal Three. Two Artworks Arranged Alchemically Leave Each Intact, Transform Both, And Create A Third Thing.

In The Late Nineties, Katy Grannan Began Making Haunting Photographs Of People Who Had Extraordinary Inner Yens To Be Seen By Strangers.

The Reason I Love Blogs So Much Right Now Is That I Am Seeing More Critical Voices Appear, And That's Kind Of Thrilling. I Think A Lot Of Critics In Their Forties Or Even Their Thirties Have Had Their Voice Scared Or Trained Out Of Them By The Academy. I Have Nothing Against The Academy. I Think It's Brilliant And Fantastic, But I Also Think That It's Become Almost Monolithic. The Same Way A Lot Of Art Looks The Same, A Lot Of Writing Can Sound The Same And Quotes The Same Theorists.