[marlon] Brando Was The Only Guy Who

We Don't Have A Lot Of Class-conscious Filmmaking.

In The Vast Majority Of Movies, Everything Is Done For The Audience. We Are Cued To Laugh Or Cry, Be Frightened Or Relieved; Hitchcock Called The Movies A Machine For Causing Emotions In The Audience. Bresson (and Ozu) Take A Different Approach. They Regard, And Ask Us To Regard Along With Them, And To Arrive At Conclusions About Their Characters That Are Our Own. This Is The Cinema Of Empathy.

You Can't Just Tell Actors, Especially Young Ones, To 'act Happy' And Expect Them To Do It. They Must In Some Essential Way Be Happy.

What Makes People Interesting Is The Spirit That Shines Through.

Not Everyone Needs To Be Slammed Into A Category And Locked There.