[maigret] Is More Internal. I Think If

The Path Of My Life Is Strewn With Cow Pats From The Devil's Own Satanic Herd!

I Find His Films About As Funny As Getting An Arrow Through The Neck And Discovering There's A Gas Bill Tied To It.

Of Course, Some Would Say If You Have A Performing Inclination, Then You Should Become A Lawyer. That's A Platform We Use, Or A Priest. You Know, Anywhere You Lecture And Pontificate To People.

It Is Very Linear Storytelling, And I Think That's Not So Much The Fashion. I Was Watching A New Drama The Other Night Which Was Extremely Non-linear, Where You Flash Back And Flash Forward In Ways That Certainly Keeps You On Your Toes As The Audience. There's Not Much Of That Courage With The Storytelling In Our Maigret Film.

Paris In The Mid-'50s Was A Very Interesting Place. It Was Only Ten Years After The Third Reich Had Left, And The City Was Awash With Guns, And Crime, And Racketeering, And All Sorts Of Hangovers From A Very Difficult Time In French History. So It's An Interesting Time To Be A Policeman.