Long Live The New Flesh.

For Example I Don't Work With William Hurt The Same Way That I Will Work With Viggo. They're Different Guys And They Work In Different Ways. So A Good Sensitive Director Has His General Style And Technique And Personality That He Uses But You Don't Impose That On The Actors.

I'm Just Observing The World. I Was Born Into It, Like You Were, And Then I Found Out There Were Some Really Disturbing Aspects To Being Alive, Like The Fact That You Weren't Going To Be Alive Forever - That Bothered Me.

My Understanding Of Life Is Very Existential. I Think That We Are Our Bodies. There's Nothing Else, And When We Die, That's It. No Afterlife.

As A Filmmaker, I Ask Questions But Don't Have Answers. Moviemaking Is A Philosophical Exploration. I Invite The Audience To Come On The Journey And Discover What They Think And Feel.

When You're In The Muck, You Can Only See Muck. If You Somehow Manage To Float Above It, You Still See The Muck, But You See It From A Different Perspective. And You See Other Things, Too. That's The Consolation Of Philosophy.