Late One Brilliant April Afternoon Professor Lucius

Whatever Is Felt Upon The Page Without Being Specifically Named There - That, One Might Say, Is Created. It Is The Inexplicable Presence Of The Thing Not Named, Of The Overtone Divined By The Ear But Not Heard By It, The Verbal Mood, The Emotional Aura Of The Fact Or The Thing Or The Deed, That Gives High Quality To The Novel Or The Drama, As Well As To Poetry Itself.

There Are Some Things You Learn Best In Calm, And Some In Storm.

If The Street Life, Not The Whitechapel Street Life, But That Of The Common But So-called Respectable Part Of Town Is In Any City More Gloomy, More Ugly, More Grimy, More Cruel Than In London, I Certainly Don't Care To See It. Sometimes It Occurs To One That Possibly All The Failures Of This Generation, The World Over, Have Been Suddenly Swept Into London, For The Streets Are A Restless, Breathing, Malodorous Pageant Of The Seedy Of All Nations.

Ah! The Terror And The Delight Of That Moment When First We Fear Ourselves! Until Then We Have Not Lived.

A Creative Writer Can Do His Best Only With What Lies Within The Range And Character Of His Deepest Sympathies.