I've Spent A Life Loving Women And

Also Expressionistic Filmmaking - Making The Audience Feel Like They Were Inside The Characters' Heads. And So We Create All These Different Types Of Techniques To Put The Audience There.

I'm Godless. And So I've Had To Make My God, And My God Is Narrative Filmmaking, Which Is -- Ultimately What My God Becomes, Which Is What My Mantra Becomes, Is The Theme.

I Remember The Few Times That Happened To Me In Writing, Where You Basically Start Writing And You Look At The Clock And Six Hours Have Gone By And You're, Like, "whoa! What The Hell Just Happened?" And That Piece Ends Up In The Final Product Even Though The Final Product Is Three Years Away. It Doesn't Get Rewritten. It Came Out The Right Way. But That's Happened To Me So Few Times In My Life.

The Whole Visual Language Of The Movie Is Developed Way Before We Get To Set. Especially When You're Doing Visual Effects And You Don't Have A Lot Of Money To Mess Around, Which We Didn't, You Have To Really Preplan Everything. Pretty Much Every Shot In The Film Was Figured Out Months Before We Got To Set.

I Think It's My Nature To Try And Make Original Content, And That's What I've Done, Is Just Try And Approach Things In An Original Way, And Do Things Differently.