I've Made It Very Clear That I'm

When You're A Director, You Have Great Respect For Directors. I Am Really Pretty Loyal To Any Director That I Am Working For And I Want To Help Them Realize Whatever Story And Mood And Tone That They're Trying To Realize. As An Actor, You Really Just Are A Cog - You Are An Important Cog, But You Are Just A Piece Of The Machine.

Without Strong Financial Roots, Our Generation Is In A Constant State Of Redefinition. This Forces Us To Think Outside The Box When It Comes To Making A Living... Which Sometimes Makes It Look Like We're A Mess, But Really We're Just Creative. And We Like Weed.

What's The Trick To Writing A Genuinely Funny Comedy? The Trick Is Therapy. Take Notes.

I Worked With An Amazing Dialect Coach Named Jill Mccullough. We Did Skype Sessions While I Was Shooting "no Escape" In Thailand, Actually. So Three Times A Week I Would Have Long, Two-hour Sessions With Her Just Working On The Nuance Of The Accent, Which I Had Had A Huge Background In Because I Went To Drama School In England For Four Years.

I've Learned From Every Director I've Worked With. Everybody's Style Is Very Different, And I Always Say That Being An Actor Is The Best Film School That I Could Ever Go To.