I've Heard Writers Talk About "discovering A

In Many Of My Plays, There Was A Kind Of Autobiographical Character In The Form Of A Son Or Young Man. The Purpose Of It, Of Course, Was To Write About Myself. That Character Was Always The Least Fully Realized. Eighteen Years Later, You Realize, That's What He Was About.

I Wanted To Write A Play About Double Nature ... One That Wouldn't Be Symbolic Or Metaphorical Or Any Of That Stuff. I Just Wanted To Give A Taste Of What It Feels Like To Be Two-sided. It's A Real Thing, Double Nature. I Think We're Split In A Much More Devastating Way Than Psychology Can Ever Reveal. It's Not So Cute. Not Some Little Thing We Can Get Over. It's Something We've Got To Live With

When You Die It's The End Of Your Life.

All That Stuff About My Father And My Childhood Is Interesting Up To A Certain Point, But I Kind Of Capsized With The Family Drama A Long Time Ago. Now I Want To Get Away From That. Not That I Won't Return To It, But A Certain Element Has Been Exhausted, And It Feels Like Why Regurgitate All This Stuff?

I've Come To Feel That If I Can't Make Something Happen In Under An Hour And A Half, It's Not Going To Happen In A Compelling Way In A Three-hour Play.