I've Always Been Very Tied To Language.

... The Thing That's Happening Today Vis-á-vis Computer Imaging, Vis-á-vis Alteration, Is That It No Longer Needs To Be Based On The Real At All. I Don't Want To Get Into Jargon - Let's Just Say That Photography To Me No Longer Pertains To The Rhetoric Of Realism; It Pertains More Perhaps To The Rhetoric Of The Unreal Rather Than The Real Or Of Course The Hyperreal.

The Art World Has Always Been An Unrelenting Taste Machine, But Now Flavors Of The Month Have Morphed Into Flavors Of The Minute. Again, All A Reflection Of A Wider Cultural Condition. I Mean, The Art World Is Slow Compared With The Music And Movie Businesses.

Look, We're All Saddled With Things That Make Us Better Or Worse. This World Is A Crazy Place, And I've Chosen To Make My Work About That Insanity.

I'm An Artist Who Works With Pictures And Words. Sometimes That Stuff Ends Up In Different Kinds Of Sites And Contexts Which Determine What It Means And Looks Like.

I Like Suggesting That ‘we Are Slaves To The Objects Around Us,’ That ‘plenty Should Be Enough,’ Or That The ‘buyer Should Beware,’ Within The Context Of Conventional Selling Space.