I've Always Been Very Tied To Language.

I Don't Necessarily Think That Installation Is The Only Way To Go. It's Just A Label For Certain Kinds Of Arrangements.

Photography Has Saturated Us As Spectators From Its Inception Amidst A Mingling Of Laboratorial Pursuits And Magic Acts To Its Current Status As Propagator Of Convention, Cultural Commodity, And Global Hobby.

I Want People To Be Drawn Into The Space Of The Work. And A Lot Of People Are Like Me In That They Have Relatively Short Attention Spans. So I Shoot For The Window Of Opportunity.

I Think What I'm Trying To Do Is Create Moments Of Recognition. To Try To Detonate Some Kind Of Feeling Or Understanding Of Lived Experience.

I Think There Are Lots Of Ways To Make Good Work. You Can Throw Big Bucks At A Project And Make What Some Would Call Crap, Or You Can Work Very Modestly With Eloquently Moving Results.