I've Always Been A Horror Movie Fan,

The Feeling Of Being An Outsider, And The Identity Theme, Are Hardwired Into Me. If There's Anything Really Autobiographical In My Fiction, It's That Feeling. I Always Feel That Way.

I Usually Have More Than One Thing I'm Working On At Once -- I've Been Working On Three Different Novels. When I Get Stuck On One, I Hop Back And Forth. It's Sort Of Freeing: I Can Say I'm Abandoning This Thing That I Hate Forever And I'm Moving On To Something That's Good. I'll Find That I'll Go Back To [the Other Project] In A Day Or A Week And Like It Again. But That Moment Of Wanting To Trash Something -- That Virginia Woolf Moment When You Have To Be Stopped From Filling Your Pocket With Stones -- Comes Pretty Regularly For Me. Switching Is Probably A Good Thing.

The Earliest Impetuses For Writing, For Me, Were Simply The Strange Things I Happened To Notice In My Everyday Life, Stuff I Read About In The Grocery Store Tabloids My Mom Bought, Situations That Struck Me As Compelling, Anecdotes I'd Heard, Images, Words, Metaphors.

I Was Worried That, As A College Teacher, If I Wrote Too Much About Intergenerational Sex My Students Would Be Creeped Out.

There Are All Kinds Of Strange Threads In American Culture, And Places Where Sympathy Is Extended And Places Where It Isn't, And Places Where Outrage Is Extended And Places Where It's Not. It's This Constantly Shifting Barrel Of Eels.