It's Our Job To Just Do As

I'll Write Down And Catalogue All The Different Devices That Are Americana To Me, And I Try To Have A Historic Depth And Breadth And Also The Things That We Do In Our Time, The Type Of Vamps And Chants, Things That Are Available To Us.

The Only Justification For Looking Down On Anyone Is That You're Going To Stop And Pick Them Up.

Louis Armstrong Is Jazz. He Represents What The Music Is All About.

I Worry More About The Marketing That's Taken Hold Since The 70s. The Jazz Era, The Swing Era, Those Were Huge. Entire Decades Were Named For Music. In The 1940s - After World War Ii - Changes In Taxation, Ballrooms Closing, People Moving To The Suburbs, And The Onset Of Target Marketing And The Confusion Of Commerce With Art Caused Some Things To Happen As A Result That Have Taken Us Away From Jazz And What Jazz Offers Us.

I Hope It Might Help Players Have Confidence In Our Own Ways, And Not To Be Afraid Of Them, As Bernstein Showed - Things Like Hoe-downs, Fiddle Songs, And The Art Of Improvisation, And The New Orleans Funeral Tradition, And Call-and-response Church Singing, And The Fact That The Blues Run Through Everything. And In Our Relationship To European Music, In That We Don't Have To Imitate It, It's A Part Of Us, Inseparable.