It's O.k. To Accept Good Fortune.

All You Do Is You Go Back To The Maida Vale Studios At Bbc In London, And It Feels Like You're In A Spaceship. It Feels Like You're In 2001 Or Something Like That. It's Massive And Well Constructed And Highly Technologically Advanced And Occupied By These Wise Scientists, Engineers, And Producers. Listening To It, It Just Doesn't Sound Like Me - That's A Younger Self That Didn't Know Who He Was Or What He Was Doing. I Can't Identify With A Nebulous Cloud.

As Far As Implying That We Know What We're Doing, That We Have Perspective Enough - By Diving Fully Into Something It Requires A Lot Of Denial, And Denial Is Always Dangerous Even If All Of Your Intentions Are Good And All Your Preparations Are Good. When You Make A Choice You're Denying An Infinite Number Of Other Choices.

When You're Listening To A Recording, You're Supposedly Listening To Some Aspect Of The Past In The Present As You Travel Slowly Into The Future, But You Also Know There's A Very Strong Likelihood That The Future Of That Recording, Whether You Made It Or Whether You're Listening To A Led Zeppelin Record, Is Going To Continue Probably Far Beyond Where You Are.

To Me, The Best Purpose Of An Interview Would Be To Illuminate Some Things About How Somebody Works For The Benefit Of Somebody Else Who Wants To Do Those Things. And That's Not Where Most Interviews Go At All, So To Me, They Seem Like Strange Exercises In Small Talk And Wasted Air.

To Sing With Other People And For Other People, That's When You Can Really Learn Something About Your Voice. You Can Only Learn So Much If You Create Your Own Boundaries All The Time. But Then, Other People Can Really Teach You Something. You Know, If You're Trying To Sing With Them, Or If Someone Brings A Style.