It's Not That You Make Up Your

All Struggle, All Resistance Is -- Must Be -- Concrete. And All Struggle Has A Global Resonance. If Not Here, Then There. If Not Now, Then Soon. Elsewhere As Well As Here.

Cinema Is A Kind Of Pan-art. It Can Use, Incorporate, Engulf Virtually Any Other Art: The Novel, Poetry, Theater, Painting, Sculpture, Dance, Music, Architecture. Unlike Opera, Which Is A (virtually) Frozen Art Form, The Cinema Is And Has Been A Fruitfully Conservative Medium Of Ideas And Styles Of Emotions.

A Photograph Is Not Only An Image (as A Painting Is An Image), An Interpretation Of The Real; It Is Also A Trace, Something Directly Stenciled Off The Real, Like A Footprint Or A Death Mask.

Images Have Been Reproached For Being A Way Of Watching Suffering At A Distance, As If There Were Some Other Way Of Watching.

Photography - The Supreme Form Of Travel, Of Tourism - Is The Principal Modern Means For Enlarging The World. As A Branch Of Art, Photography's Enterprise Of World Enlargement Tends To Specialize In The Subjects Felt To Be Challenging, Transgressive. A Photograph May Be Telling Us: This Too Exists. And That. And That. (and It Is All 'human.') But What Are We To Do With This Knowledge - If Indeed It Is Knowledge, About, Say, The Self, About Abnormality, About Ostracized Or Clandestine Worlds?