It's Hard For It To Make A

There's Not A Huge Pile Of Scripts At Home. It's What Happens To Be On The Table At That Moment With Your Availability. And Then You Have No Control Over When These Things Come Out.

I Get Plenty Of Time To Re-engage With The World I'm Trying To Depict, So I'm Not Always Living In These Parallel Worlds.

We're Interested By Public Personas And Private Personas, Otherwise We Wouldn't Put On With Actors Rambling On With The Same Kind Of Stuff, Over And Over Again, Saying Variations Of The Same Thing. I'm Always Amazed By How Fascinated People Still Are By Actors Because It's The Same Version Of Events That Actors Describe, All The Time.

The Script For 'infamous' Was So Poised Between Tragedy And Comedy. It's A Dream Part. One Reads Those Scripts With A Sense Of Melancholia. When You Read A Script That Good I Remember Thinking, 'oh, This Script Is Too Good. They'll Never Give It To Me.'

I've Got To Tell You, I've Played Real Characters Before And People Always Bring Up This Word 'impersonation,' And I'm Never Entirely Sure What It Means.