It's Good To Keep In Mind That

I Want People To Be Drawn Into The Space Of The Work. And A Lot Of People Are Like Me In That They Have Relatively Short Attention Spans. So I Shoot For The Window Of Opportunity.

The Different Aspects Of My Activity, Whether It's Writing Criticism, Or Doing Visual Work That Incorporates Writing, Or Teaching, Or Curating, Is All Of A Single Cloth, And I Don't Make Any Separation In Terms Of Those Practices.

I Feel Uncomfortable With The Term Public Art, Because I'm Not Sure What It Means. If It Means What I Think It Does, Then I Don't Do It. I'm Not Crazy About Categories.

Look, We're All Saddled With Things That Make Us Better Or Worse. This World Is A Crazy Place, And I've Chosen To Make My Work About That Insanity.

There's A Moment Of Recognition. It's That White-light Kind Of Stuff That Just "works." I Love That. And You Know It When It Happens, Whether It's A Movie, Music, A Building, A Book.