It's Clear, It's Fresh, Like A Mint

Now I Can See How That Can Happen. You Can Fall In Love With Anybody--a Fool, A Criminal, A Nothing. There Are No Good Rules.

She Wasn't Ready To Settle Down, She Told Her Friends. That Was One Way Of Putting It. Another Was Would Have Been That She Had Not Found Anyone To Settle Down With. There Had Been Several Men In Her Life, But They Hadn't Been Convincing. They'd Been Somewhat Like Her Table - Quickly Acquired, Brightened Up A Little, But Temporary. The Time For That Kind Of Thing Was Running Out, However. She Was Tired Of Renting.

But In The End, Back She Comes. There's No Use Resisting. She Goes To Him For Amnesia, For Oblivion. She Renders Herself Up, Is Blotted Out; Enters The Darkness Of Her Own Body, Forgets Her Name. Immolation Is What She Wants, However Briefly. To Exist Without Boundaries.

Where There's A Doctor It's Always A Bad Sign. Even When They Are Not Doing The Killing Themselves It Means A Death Is Close, And In That Way They Are Like Ravens Or Crows.

It's A Critical Fallacy Of Our Times ... That A Writer Should 'grow,' 'change,' Or 'develop.' This Fallacy Causes Us To Expect From Children Or Radishes: 'grow,' Or There's Something Wrong With You. But Writers Are Not Radishes. If You Look At What Most Writers Actually Do, It Resembles A Theme With Variations More Than It Does The Popular Notion Of Growth.