It's A World In Which People's Motives

It's Become Absolutely Horrible The Way The People With The Money Decide They Can Fart In The Kitchen.

I Think I'm Good At Amplifying An Actor's Strengths, And Minimizing Their Weaknesses. And They All Have Strengths And Weaknesses.

There's Nothing Else Exactly Like It In Any Other Art Form, The Orchestration Of So Many Different Elements. It's Endlessly Fascinating What Can Be Done Editorially. You Can Create Meaning Where There Was None, You Can Create Feeling Where There Was None, You Can Create Narrative Where There Was None. Two Frames Can Be The Difference Between Something That Works And Something That Doesn't. It's Fascinating.

My Experience Over The Years With Working With People Who Are Not Actors Or Not Trained Actors Is That You Have To Get To Know Them Well Enough To See What They Have That's Translatable Onto The Screen. So You're Constantly Calibrating To Play To Their Strengths. And The Key Is To Never Ask Them To Do Things That Are Beyond Their Abilities Or Are Really Far Away From Who They Are At Their Core.

I'm Not A Snob. If I Feel Like There's A Star That's The Best Person For That Role, Then That's Who I Get.