It'd Be Nice To Make Lots Of

I Always Try To Make Everyone Mellow Down, Make Sure Everybody's Happy. The People I Have Employed Have Always Kind Of Stayed With Us. A Lot Of People Who Come To Work For You Are Artists In Their Own Right. And They Want To Work For You Because They Want To Pick Something Up.

When I Used To Do Abstract Paintings At School, Like Everyone Else, The Tutor Said These Would Make Great Curtains. I Would Always Neglect The Formal Stuff That Was Going On By Using Colour, Because Colour Kind Of Came Naturally To Me.

I Always Feel A Bit Trapped When A Painting Goes For Millions Of Pounds And Only One Person Can Have It. If You Can Have That As Well As A Poster On Every Student's Wall, Then You're In A Very Enviable Position. I'd Like To Do A Damien Hirst For £500 At Some Point.

But I'm More Interested In Why People Are Frightened By Jaws And Why Jaws Was Such A Hit Than Saying Spielberg's My Main Influence.

I Wanted A Shark That's Big Enough To Eat You, And In A Large Enough Amount Of Liquid So That You Could Imagine You Were In There With It.