It Doesn't Interest Me To Be Harrison

I Found Out That Drama Was A Fascinating Exercise As A Way To Get Out Of My Self And Into Somebody Else's Head.

American Graffiti Was The First Movie Where The Director Let Me Have Any Input. It Was The First Time Anyone Ever Listened To Me. George Thought My Character Should Have A Crew Cut, But I Wasn't Happy With That Idea. I'd Always Had Pretty Long Hair Back Then - In College, Particularly - So I Told George My Character Should Wear A Cowboy Hat. George Thought About It And He Remembered A Bunch Of Guys From Modesto, California, Who Cruised Around, Like My Character, And Wore Cowboy Hats, So It Turned Out That It Actually Fit The Movie.

The Capacity To Create [visual] Effects In The Computer Has Made The Job Easier, But It Has Also Introduced The Complexity That You Can With A Few More Keystrokes Generate Such A Busy Canvas That The Eye Doesn't Know Where To Go. You Lose Human Scale On An Event And You're Just Wowed By The Kinetics And The Visualization. But, Often In Those Cases I Feel You Lose Touch With The Human Characters And What It Is That They Would Feel And How They Might Feel, And That's Still The Most Important Part.

Everything I Do, I'm Sort Of Half In, Half Out.

The Loss Of Anonymity Is Something That Nobody Can Prepare You For. When It Happened, I Recognized That I'd Lost One Of The Most Valuable Things In Life. To This Day, I'm Not All That Happy About It