It Could Be Argued That Every Age

In My View The Plangent Artificiality Of A Lot Of Creative Work Results From The Fact That The People Who Write Novels, Direct Films And Put On Plays Tend To Read Too Many Novels, Watch Too Many Films And Go To Too Many Plays.

The British And American Literary Worlds Operate In An Odd Kind Of Symbiosis: Our Critics Think Our Contemporary Novelists Are Not The Stuff Of Greatness Whereas Certain Contemporary Americans Indubitably Are. Their Critics Often Advance The Exact Opposite: British Fiction Is Cool, American Naff.

As For Critical Writing About Modernism, Its Moments Of Lucidity Are But Fulgurations Illuminating The Dark And Incomprehensible Landscape Of Its Subject's Unabashed Difficulty.

I Used To Find Myself Goofed Out In The Street On Drugs. And I Had Such A Bad Problem With Addiction At The Time That I Didn't Mind. I Was Dealing Cocaine And Shooting Up A Lot Of Cocaine. And That's Not A Good Space To Be In.

The Writing Life Is Essentially One Of Solitary Confinement - If You Can't Deal With This, You Needn't Apply.