Isn't Death The Boundary We Need?

It's Not Enough To Hate Your Enemy. You Have To Understand How The Two Of You Bring Each Other To Deep Completion.

Film Is More Than The Twentieth-century Art. It's Another Part Of The Twentieth-century Mind. It's The World Seen From Inside. We've Come To A Certain Point In The History Of Film. If A Thing Can Be Filmed, The Film Is Implied In The Thing Itself. This Is Where We Are. The Twentieth Century Is On Film. You Have To Ask Yourself If There's Anything About Us More Important Than The Fact That We're Constantly On Film, Constantly Watching Ourselves.

To Plot Is To Live. […] We Start Out Lives In Chaos, In Babble. As We Surge Up Into The World, We Try To Devise A Shape, A Plan. There Is Dignity In This. Your Whole Life Is A Plot, A Scheme, A Diagram. It Is A Failed Scheme But That's Not The Point. To Plot Is To Affirm Life, To Seek Shape And Control. Even After Death, Most Particularly After Death, The Search Continues. Burial Rites Are An Attempt To Complete The Scheme, In Ritual. Picture A State Funeral, Jack. It Is All Precision, Detail, Order, Design. The Nation Holds Its Breath. - (wn 292)

I Think If You Maintain A Force In The World That Comes Into People's Sleep, You Are Exercising A Meaningful Power.

He Took Pains To Avoid Self-depreciation, Self-mockery, Ambiguity, Irony, Subtlety, Vulnerability, A Civilized World-weariness And A Tragic Sense Of History--the Very Things, He Says, That Are Most Natural To Him.