Is There Anything More Dangerous Than Sympathetic

My Friends Back In Barcelona Called Me By That Name (picasso). It Was Stranger, More Resonant, Than "ruiz." And Those Are Probably The Reasons I Adopted It. Do You Know What Appealed To Me About That Name? Well, It Was Undoubtedly The Double S, Which Is Fairly Unusual In Spain.

In One Way Or Another, I Always Marked My Pictures. But There Were Times When I Put My Signature On The Back Of The Canvas. All My Works From The Cubist Period, Until About 1914, Have My Name And The Date On The Back Side Of The Stretcher. I Know Someone Spread The Story That In Céret, Braque And I Decided Not To Sign Our Pictures Anymore. But That's Just A Legend!

Painting Isn't A Question Of Sensibility; It's A Matter Of Seizing The Power, Taking Over From Nature, Not Expecting Her To Supply You With Information And Good Advice.

Those Trying To Explain Pictures Are As A Rule Completely Mistaken.

The Trouble Is, We've Been Taught What To See And How To Render What We See. If Only We Could Be In The Position Of Those Men Who Did Those Wonderful Drawings In Lascaux And Altimira!