Indeed, What Forces Us At All To Suppose That There Is An Essential Opposition Of 'true' And 'false'? Is It Not Sufficient To Assume Degrees Of Apparentness And, As It Were, Lighter And Darker Shadows And Shades Of Appearance- Different 'values', To Use The Language Of Painters?
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Indeed, What Forces Us At All To
Friedrich Nietzsche
Indeed, What Forces Us At All To Suppose That There Is An Essential Opposition Of 'true' And 'false'? Is It Not Sufficient To Assume Degrees Of Apparentness And, As It Were, Lighter And Darker Shadows And Shades Of Appearance- Different 'values', To Use The Language Of Painters?
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