In The Late 30s The Name Pollock

I Think Every Once In A While I Feel The Need To Break My Medium... If I Have Been Doing A Very Large Painting I Like To Drop Into Something In Small Scale. It Is A Challenge To Go Into This Size. It Is Just To Hold My Own Interest, And Then Each Media Has Its Own Conditions.

I Have Never Been Able To Understand The Artist Whose Image Never Changes.

All My Work Keeps Going Like A Pendulum; It Seems To Swing Back To Something I Was Involved With Earlier, Or It Moves Between Horizontality And Verticality, Circularlity, Or A Composite Of Them. For Me, I Suppose, That Change Is The Only Constant.

At That Point It Certainly Would Be Called Abstract. That Is To Say, You Had A Model And There'd Be One Or Two Or Three People There Drawing The Model But Otherwise You Had Abstractions All Around The Room, Even Though The Model Was In Front Of You.

I Like A Canvas To Breathe And Be Alive. Be Alive Is The Point. And, As The Limitations Are Something Called Pigment And Canvas, Let's See If I Can Do It.