In Comics The Reader Is In Complete Control Of The Experience. They Can Read It At Their Own Pace, And If There's A Piece Of Dialogue That Seems To Echo Something A Few Pages Back, They Can Flip Back And Check It Out, Whereas The Audience For A Film Is Being Dragged Through The Experience At The Speed Of 24 Frames Per Second.
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In Comics The Reader Is In Complete
Alan Moore
In Comics The Reader Is In Complete Control Of The Experience. They Can Read It At Their Own Pace, And If There's A Piece Of Dialogue That Seems To Echo Something A Few Pages Back, They Can Flip Back And Check It Out, Whereas The Audience For A Film Is Being Dragged Through The Experience At The Speed Of 24 Frames Per Second.
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