In Almost Every Photograph I Have Ever

This Might Seem Off The Track, But An Interesting Thing To Me That Others Could Talk About Better Than I, But One Of The Growth Areas In Photographic Education Has Been The So-called Slow Photography.

Typically I See It With Photographers Who Go To A Place Like India Or Nepal, And Everything's So Colorful And Exotic And They Think, Therefore, A Picture's Been Taken.

My Best Work Is Often Almost Unconscious And Occurs Ahead Of My Ability To Understand It.

In Almost Every Photograph I Have Ever Made, There Is Something I Would Do To Complete It. I Take That To Be The Spirit Hole Or The Deliberate Mistake That's In A Navajo Rug To Not Be Godlike, But To Be Human.

I Started Teaching In '76 And I'd Been A Photographer At The Geographic For Six Years. But Prior To Being At The Geographic I Was A Teacher. Plus My Parents Were Teachers And My Brother And My Grandparents. So It Was The Culture Of Our Family To Think About Teaching, To Talk About Teaching, To Talk About Teachers.