I'm Very Sorry For Your Loss. Your

People Often Call And Say: "can You Help Me To Get Bill Murray In Our Movie." But I'm Always Like, "well I Don't Know How To Do That!" I've Sometimes Tried And Not Been Able To Get Him But Then I'll Suddenly Be Very Surprised By The Thing That He Will Suddenly Decide To Do.

You Don't Do Background Music The Way A Lot Of More Conventional Films Do. The Music Is Often Kind Of A Character In Your Films To The Extent That Sometimes You Stop And Watch Someone Perform A Song.

Some Of The Ideas Are Kind Of Inspired By The Songs, And I Always Want To Use Music To Tell The Story And Give The Movie A Certain Kind Of Mood. That's Always Essential To Me.

I Don't Know What Is In Store For The Movie Business Any Better Than Anybody Else Does, But It Does Seem Like My Kind Of Movies Are A Little Trickier Than It Used To Be - Or Maybe A Lot Trickier.

I Chose Philosophy Because It Sounded Like Something I Ought To Be Interested In. I Didn't Know Anything About It, I Didn't Even Know What It Was Talking About. What I Really Spent My Time Doing In Those Years Was Writing Short Stories. There Were All Sorts Of Interesting Courses, But What I Really Wanted To Do Was Make Stories One Way Or Another.