I'm Very Happy In France Making Movies.

Usually, When You Do A Period Movie, You Just Recreate What You Are Shooting. You Don't Recreate The Way You Shoot It. I Think I Did The Same Thing Here As I Did In The Oss 117 Movies. I Recreated The Way To Shoot That Period, Because To Me, Like What I Was Saying About The Steadicam, There's No Sense To Do A Steadicam Shot In The 1920s Because You Have Never Seen The '20s Like That. You Can't Believe There Was A Steadicam In The 1920s. I Believe It's A Continuation Of The Oss 117 In A Way But Without The Irony.

Sure, I Watched A Lot Of Hollywood Movies. Maybe I've Seen More Hollywood Movies Than French Movies

Finally, You're Right About One Point, Your Entire Way Of Thinking Is Predicted By What You're Immersed In So You Know You Won't Make A Bad Decision. You Can Make A Bad Decision But It's Still In The Good Sphere Normally If You Work Well. You're Prepared To Face A Crew Who Wants To Know Everything And Poses A Hundred Questions A Minute, Because You Know You Have Good Reflexes And Can Respond Very Quickly.

To Me The Recognition Of The Audience Is Part Of The Filmmaking Process. When You Make A Movie, It's For Them.

I Think There's Something In Common With The Oss 117 Movies. The Big Difference Is There's No Irony In This One. It's Not Parody. I Tried To Make It Very Simple. It's A Simple Story, But To Be Simple, It's Very Complex In The Way It's Done.