I'm Unable To Really Write The Kind

What I Think About When I Frequent The Museum Of Natural History, The Metropolitan [museum Of Art], And I Look At These Artifacts That Are Taken Out Of Context And How We're Forced To View Them As Objects, As Relics, As Sculpture- Static. But What's Interesting Is What It Allows Me To Do In My Head In Terms Of Imagining What The Possibilities Are Or Imagining The Role In Which They Played Within A Particular Culture Which I'm Fascinated By.

People Often Can't Separate, Or Can't Understand, That To Be Funny Is To Be Serious; It's A Way Of Pulling People In And Not Scaring Them Off. I Think A Lot Of The Funny Stuff, Underneath It, There's A Deep Anxiety Going On.

We Cannot Afford To Be Idle. To Act On A Bad Idea Is Better Than To Not Act At All. Because The Worth Of The Idea Never Becomes Apparent Until You Do It. Sometimes This Idea Can Be The Smallest Thing In The World, A Little Flame That You Hunch Over And Cup With Your Hand, And Pray Will Not Be Extinguished By All The Storm That Howls About It. If You Could Hold Onto That Flame, Great Things Could Construct Around It, That Are Massive And Powerful And World Changing, All Held Up By The Tiniest Of Ideas.

The More Information You Have, The More Human Our Heroes Become And Consequently The Less Mysterious And Godlike. They Need To Be Godlike.

I Am Not Interested In Anything That Doesn't Have A Genuine Heart To It. You've Got To Have Soul In The Hole. If That Isn't There, I Don't See The Point.