I'm Not The Kind Of Director Who

In Korea Is What I Do Is I Watch The Playback Of Each Take With All Of The Actors And Spend A Lot Of Time Discussing Each Take. Also, I Use The Process We Call Auto-assembly Because I Storyboard My Entire Film Right At The Beginning, Even Before Pre-production Ever Begins, So My Vision Is Already Laid Out On The Storyboard For Everybody To Share. It Enables The On-set Assembly Person, As We Call Them, To Cut Together Each Take Into A Sequence. This Enables A Director To Review The Take Within The Context Of The Sequence Of The Scene.

I Did Have A Feminist Side To Me, Just Not In Such A Pronounced Way.

I Don't Really Believe In The Auteur Theory.

Ever Since I Arrived In America To Promote Stoker, I Haven't Had Time To Go And See It In A Theater. The Fact That I Had To Shoot Twice As Fast As I'm Used To In Korea Was The Most Challenging Thing About My Hollywood Experience.

The Point Of Revenge Is Not In The Completion But In The Process.