I'm Not An Experimental Artist. I Have

Accuracy Is Paramount In Every Detail Of A Work Of History. Here's My Rule: Ask Yourself, 'did This Thing Happen?' If The Answer Is Yes, Then It's Historical. Then Ask, 'did This Thing Happen Precisely This Way?' If The Answer Is Yes, Then It's History; If The Answer Is No, Not Precisely This Way, Then It's Historical Drama.

I Don't Think You Have To Earn Your Income As An Artist To Be An Artist. But If You Are An Artist, Then Art Is What You Do, Whether Or Not You're Paid For Doing It; It Is What You Do, Not What You Are. I Regard Artist Not As A Description Of Temperament But As A Category Of Profession, Of Vocation.

But I Still Read Shaw On A Regular Basis. What I Love Is The Nakedness Of The Polemic And The Irresistible Good Humour. For Me, 'major Barbara' Is The Greatest Of All The Plays In That It Starts From The Rational And Proceeds To The Ecstatic In A Spectacular Way, And Leaves You Very Confused If You Cling To Euclidean Logic.

When I Used To Teach Writing, What I Would Tell My Playwriting Students Is That While You're Writing Your Plays, You're Also Writing The Playwright. You're Developing Yourself As A Persona, As A Public Persona. It's Going To Be Partly Exposed Through The Writing Itself And Partly Created By All The Paraphernalia That Attaches Itself To Writing. But You Aren't Simply An Invisible Being Or Your Own Private Being At Work. You're Kind Of A Public Figure, As Well.

The Way You Give Love Is The Most Profoundly Human Part Of You. When People Say It's Ugly Or A Perversion Or An Abomination, They're Attacking The Center Of Your Being.