I'm Not A Fan Of Twitter.

Performing A One-man Macbeth Feels Like The Greatest Challenge.

Often For Me, If I Hear A Song I Know, It Clicks For Me And I Hear It In A Different Way And I Think, "i Could Sing That Song. I've Got Something To Say About That Song. Wanting To Connect With An Audience And Wanting Them To Rethink Songs; It Is Actually Important To Do Songs They're Familiar With. Also, I Love Those Songs. In A Way, I Think I've Changed People's Perceptions Of What A Cabaret Show Like This Could Be.

You Should *have* An Experience; It Shouldn't Just *be* An Experience.

It's About How You Exist As A Person In The World, And The Idea That Your Work Is More Important Than You As A Person Is A Horrible, Horrible Message. I Always Think About A Little Gay Boy In Wisconsin Or A Little Lesbian In Arkansas Seeing Someone Like Me, And If I Cannot Be Open In My Life, How On Earth Can They?

I'm Not A Fan Of Twitter.