I'm Here, And Every Day Now Is

Before I Became A Film Major, I Was Very Heavily Into Social Science, I Had Done A Lot Of Sociology, Anthropology, And I Was Playing In What I Call Social Psychology, Which Is Sort Of An Offshoot Of Anthropology/sociology - Looking At A Culture As A Living Organism, Why It Does What It Does.

There's Nothing Worse Than The Frustration Of Having Somebody Who You Feel Doesn't Get What You're Doing, Trying To Turn It Into Something Else. It's A Very, Very Annoying And Sort Of Frustrating Thing And I Just Never Wanted To Go Through It. I Was Very Fortunate As I Came Up Through The Film Business That I Was Able To Insulate Myself From That.

I've Always Tried To Be Aware Of What I Say In My Films, Because All Of Us Who Make Motion Pictures Are Teachers - Teachers With Very Loud Voices.

The Secret To The Movie Business, Or Any Business, Is To Get A Good Education In A Subject Besides Film - Whether It's History, Psychology, Economics, Or Architecture - So You Have Something To Make A Movie About. All The Skill In The World Isn't Going To Help You Unless You Have Something To Say.

I Was Going To Go To A Four-year College And Be An Anthropologist Or To An Art School And Be An Illustrator When A Friend Convinced Me To Learn Photography At The University Of Southern California. Little Did I Know It Was A School That Taught You How To Make Movies! It Had Never Occurred To Me That I'd Ever Have Any Interest In Filmmaking.