I'm A Hollywood Writer, So I Put

Writing A Good Movie Brings A Writer About As Much Fame As Steering A Bicycle. It Gets Him, However, More Jobs. If His Movie Is Bad It Will Attract Only Critical Tut-tut For Him. The Producer, Director And Stars Are The Geniuses Who Get The Hosannas When It's A Hit. Theirs Are Also The Heads That Are Mounted On Spears When It's A Flop.

Television Excites Me Because It Seems To Be The Last Stamping Ground Of Poetry, The Last Place Where I Hear Women's Hair Rhapsodically Described, Women's Faces Acclaimed In Odelike Language.

I Have Known A Number Of Don Juans Who Were Good Studs And Who Cavorted Between The Sheets Without A Psychiatrist To Guide Them. But Most Of The Busy Love-makers I Knew Were Looking For Masculinity Rather Than Practicing It. They Were Fellows Of Dubious Lust.

The Only Practical Way Yet Discovered By The World For Curing Its Ills Is To Forget About Them.

I Discovered Early In My Movie Work That A Movies Never Any Better Than The Stupidest Man Connected With It. There Are Times When This Distinction May Be Given To The Writer Or Director. Most Often It Belongs To The Producer.