If You Try To Make Interesting Films,

Duality Is Not A Story. Duality Is Just A Complexity.

I'm An Actor, And, Beyond That, The Thing I Do Most Compulsively Is Writing. So I Come At It Very Much From This Sense Of Character. I Get Interested In People. And I Feel Confident In My Capacity To Absorb And Manifest The Characteristics Of People. I Have A Real Auditory Hang-up For Dialogue; Re-creating The Way People Talk Really Is An Addiction In My Brain.

When I Look At The Directors That I Really Love, Who Really Develop Their Films Over Time, They're Almost Always The Ones Who Go Back Again And Again And Again At The Same Investigations. I Think That When Somebody Has A Theme They Go After, It's Fun To Service That. It's Like, "i Know You Now. I Know What You Go At." It Helps You Locate Yourself A Little Bit Quicker In Their World.

Remarkably, There's No Green Screen In 'leaves Of Grass' Movie. There Is Motion Control. Technically, There Were All Sorts Of Challenges, But Really The Soul Of It Is Edward Norton Talent. You Write These Characters When You Write A Movie, And All You Can Hope For Or Depend On Is That Your Actors Will Elevate The Material.

You Can Do Things In Twin Scenes Now You Couldn't Before. You Can Implement Actual Moving Cameras.