If You Have A Tone Like Mine

Audiences - They Like Colour, You Know. I Can Go Out There Wearing A Red Suit, Man, And They'll Say I'm Out Of Sight ... I Think They Should Be Educated; You Should Always Drop Something On An Audience ... When You Get In Front Of An Audience, You Should Try To Give 'em Something. After All, They're There Looking At You Like This. You Can't Go Out And Give 'em Nothing.

I Put All Those Synthesizer Sounds Behind "decoy" And "code M.d." A Lot Of Things We Write Together. A Lot Of Things Are His, But They Don't Have That Thing I Want On The Bottom. I Often Tell Him, I Say, "bobby [irving], If There's A Melody, There's Another One Somewhere That Goes With It."

If You Have A Tone Like Mine That Is Recognizable. No Matter What I Play, When You Hear My Tone You Can Tell It's Me.

Like Ron Lorman's Always Sayin', "na-na-na-na-na," You Know What I Mean? I Don't Need That In The Studio.

When I Went In There, We Used Drum Machine On "time After Time" And "human Nature".we Don't Use The Drum Machine To Play A Pattern. You Play The Pattern By Being Consistent.