If You Feel So Strongly About What's

I Don't Begin A Novel Or A Screenplay Until I Know The Ending. And I Don't Mean Only That I Have To Know What Happens. I Mean That I Have To Hear The Actual Sentences. I Have To Know What Atmosphere The Words Convey.

I Don't Begin A Novel Until I Have Written, Not Just The Last Sentence, But Usually, As A Result Thereof, Many Of The Surrounding Final Paragraphs, So That In Addition To Knowing What Happens, I Know What The Voice Is.

The Gardener Had A Dread Of Small Women; He'd Always Imagined Them To Have An Anger Disproportionate To Their Size.

Wrestling Was My First Success, The First Thing That Confirmed That I Could Be Good At Anything. Devoting Yourself To Wrestling, Or Tennis, Or Skiing, Or Dance, Or To A Musical Instrument Is A Longing To Be Disciplined For A Purpose.

The Book Works Better If I Know Everything I Can About The Ending. Not Just What Happens, But How It Happens And What The Language Is; Not Just The Last Sentence, But Enough Of The Sentences Surrounding That Last Sentence To Know What The Tone Of Voice Is. I Imagined It As Something Almost Musical. Then You Are Writing Toward Something; You Know The Sound Of Your Voice At The End Of The Story. That's How You Want To Sound In Those Final Sentences: The Degree That It Is Uplifting Or Not, The Degree That It Is Melancholic Or Not.