If You Can't Eat It, Drink It,

There Are Characters In Some Short Stories Who Exist As People, And There Are Other Characters In Different Short Stories Who Exist As Purely Literary Constructs. You Know, The Young Man In "forbidden Brides Of The Faceless Slaves In The Secret House Of The Night Of Dread Desire" - I Probably Got That Right - Is A Literary Construct, And Enjoys Being A Literary Construct. He Has No Life Off Stage, Whereas The Young Men In "how To Talk To Girls At Parties" Were As Near To Being Real Human Beings As I Could Possibly Get Them.

We Were Never Lovers, And We Never Will Be, Now. I Do Not Regret That, However. I Regret The Conversations We Never Had, The Time We Did Not Spend Together. I Regret That I Never Told Him That He Made Me Happy, When I Was In His Company. The World Was The Better For His Being In It. These Things Alone Do I Now Regret: Things Left Unsaid. And He Is Gone, And I Am Old.

What’s Your Name, Lad?” “newton. Newton Pulsifer.” “lucifer? What’s That You Say? Are Ye Of The Spawn Of Darkness, A Tempting Beguiling Creature From The Pit, Wanton Limbs Steaming From The Fleshpots Of Hades, In Tortured And Lubricious Thrall To Your Stygian And Hellish Masters?” “that’s Pulsifer,” Explained Newton. “with A P. I Don’t Know About The Other Stuff, But We Come From Surrey.” The Voice On The Phone Sounded Vaguely Disappointed.

I Think That Pretty Much Every Form Of Fiction (i’d Include Fantasy, Obviously) Can Actually Be A Real Escape From Places Where You Feel Bad, And From Bad Places. It Can Be A Safe Place You Go, Like Going On Holiday, And It Can Be Somewhere That, While You’ve Escaped, Actually Teaches You Things You Need To Know When You Go Back, That Gives You Knowledge And Armour And Tools To Change The Bad Place You Were In. So No, They’re Not Escapist. They’re Escape.

Every Lover Is, In His Heart, A Madman, And, In His Head, A Minstrel.