If You Can Jump Up Onstage And

I Think You Need To Be Able To See A Lot Of Negative In Things In Order To Extract Material, So There's Probably Something To That. A Lot Of The People I Used To Work With Were Very, Very, Very Unfunny Offstage, So That's A Pretty Common Thing.

I Loved Working With Him [justin Chadwick]. He Was Very Smart In How He Assembled The People Around Him And Had A Crew That He Knew Very Well. He Was Very Comfortable On The Set And I Never Felt That I Was Working With A First-time Filmmaker.

When I Go On The Plane To Fly Home, I'm Literally Capable Of Forgetting What I Do For A Job. That Also Comes About Because I Choose To Take Massive Breaks Between Projects, And Because I Choose To Do This Ridiculous Thing Of Keeping Home, Home.

I Think Love Can Come Fairly Easily And Grow - But Really Liking The Core Essence Of Someone Is A Much Harder Thing To Bottle. If You Have Both, You're In Pretty Good Shape.

The Thing I Love About Working With First-time Directors Is That It's Always Quite Shocking How Little Difference There Is Between Them And Directors Who've Been Directing All Their Lives.