If We Really Want To Live, We'd

Drama Is Based On The Mistake. I Think Someone Is My Friend When He Really Is My Enemy, That I Am Free To Marry A Woman When In Fact She Is My Mother, That This Person Is A Chambermaid When It Is A Young Nobleman In Disguise, That This Well-dressed Young Man Is Rich When He Is Really A Penniless Adventurer, Or That If I Do This Such And Such A Result Will Follow When In Fact It Results In Something Very Different. All Good Drama Has Two Movements, First The Making Of The Mistake, Then The Discovery That It Was A Mistake.

Sexual Fidelity Is More Important In A Homosexual Relationship Than In Any Other. In Other Relationships There Are A Variety Of Ties. But Here, Fidelity Is The Only Bond.

Some Writers Confuse Authenticity, Which They Ought Always To Aim At, With Originality, Which They Should Never Bother About.

To The Man-in-the-street, Who, I'm Sorry To Say, Is A Keen Observer Of Life. The Word Intellectual Suggests Straight Away. A Man Who's Untrue To His Wife.

The Surest Sign That A Man Has A Genuine Taste Of His Own Is That He Is Uncertain Of It.