If There Is Any Consistent Enemy Of

The Theory Of Punctuated Equilibrium, Proposed By Niles Eldredge And Myself, Is Not, As So Often Misunderstood, A Radical Claim For Truly Sudden Change, But A Recognition That Ordinary Processes Of Speciation, Properly Conceived As Glacially Slow By The Standard Of Our Own Life-span, Do Not Resolve Into Geological Time As Long Sequences Of Insensibly Graded Intermediates (the Traditional, Or Gradualistic, View), But As Geologically "sudden" Origins At Single Bedding Planes.

All Interesting Issues In Natural History Are Questions Of Relative Frequency, Not Single Examples. Everything Happens Once Amidst The Richness Of Nature. But When An Unanticipated Phenomenon Occurs Again And Again—finally Turning Into An Expectation—then Theories Are Overturned.

Iconography Becomes Even More Revealing When Processes Or Concepts, Rather Than Objects, Must Be Depicted For The Constraint Of A Definite "thing" Cedes Directly To The Imagination. How Can We Draw "evolution" Or "social Organization," Not To Mention The More Mundane "digestion" Or "self-interest," Without Portraying More Of A Mental Structure Than A Physical Reality? If We Wish To Trace The History Of Ideas, Iconography Becomes A Candid Camera Trained Upon The Scholar's Mind.

The Literal Record Was Not A Hopelessly And Imperfect Fraction Of Truly Insensible Gradation Within Large Populations But An Accurate Reflection Of The Actual Process Identified By Evolutionists As The Chief Motor Of Biological Change. The Theory Of Punctuated Equilibrium Was, In Its Initial Formulation, Little More Than This Insight Adumbrated.

The Essence Of Darwinism Lies In Its Claim That Natural Selection Creates The Fit. Variation Is Ubiquitous And Random In Direction. It Supplies Raw Material Only. Natural Selection Directs The Course Of Evolutionary Change.