If The Present Is Really All We

Talking To The Parents Of Older Kids Was Helpful For Me, Since Parents Of Kids The Same Age As Yours Won't Admit How Horrible Their Children Are.

The Last Song Was So Deep And Raw And Pure That I Could Not Escape. It Was As If The People Were Singing In Between The Notes, Weeping And Joyful At The Same Time, And I Felt Like Their Voices Or Something Was Rocking Me In Its Bosom, Holding Me Like A Scared Kid, And I Opened Up To That Feeling-and It Washed Over Me.

I Took Notes On The People Around Me, In My Town, In My Family, In My Memory. I Took Notes On My Own State Of Mind, My Grandiosity, The Low Self-esteem. I Wrote Down The Funny Stuff I Overheard. I Learned To Be Like A Ship's Rat, Veined Ears Trembling, And I Learned To Scribble It All Down.

Any Plot You Impose On Your Characters Will Be Onomatopoetic: Plot. I Say Don't Worry About Plot. Worry About The Characters. Let What They Say Or Do Reveal Who They Are, And Be Involved In Their Lives, And Keep Asking Yourself, Now What Happens? The Development Of Relationship Creates Plot.

You Can Either Set Brick As A Laborer Or As An Artist. You Can Make The Work A Chore, Or You Can Have A Good Time. You Can Do It The Way You Used To Clear The Dinner Dishes When You Were Thirteen, Or You Can Do It As A Japanese Person Would Perform A Tea Ceremony, With A Level Of Concentration And Care In Which You Can Lose Yourself, And So In Which You Can Find Yourself.