I Want To Be A Mouse In

It's Important To Understand It's Ok To Control The Subject. If Most Editorial Stories Were Photographed Just As They Are, Editors Would End Up Throwing Most In The Waste Basket. You Have To Work Hard At Making An Editorial Picture. You Need To Re-stage Things, Rearrange Things So That They Work For The Story, With Truth And Without Lying.

Today's Photographers Think Differently. Many Can't See Real Light Anymore. They Think Only In Terms Of Strobe - Sure, It All Looks Beautiful But It's Not Really Seeing. If You Have The Eyes To See It, The Nuances Of Light Are Already There On The Subject's Face. If Your Thinking Is Confined To Strobe Light Sources, Your Palette Becomes Very Mean - Which Is The Reason I Photograph Only In Available Light.

I Enjoy Traveling And Recording Far-away Places And People With My Camera. But I Also Find It Wonderfully Rewarding To See What I Can Discover Outside My Own Window. You Only Need To Study The Scene With The Eyes Of A Photographer.

I Seldom Think When I Take A Picture. My Eyes And Fingers React - Click. But First, It's Most Important To Decide On The Angle At Which Your Photograph Is To Be Taken.

I Always Prefer Photographing In Available Light – Or Rembrandt-light I Like To Call It – So You Get The Natural Modulations Of The Face. It Makes A More Alive, Real, And Flattering Portrait.