If I Acknowledge My Dependency, I Do

Is The Scene Always Visual? It Can Be Aural, The Frame Can Be Linguistic: I Can Fall In Love With A Sentence Spoken To Me: And Not Only Because It Says Something Which Manages To Touch My Desire, But Because Of Its Syntactical Turn (framing), Which Will Inhabit Me Like A Memory.

I Want A History Of Looking. For The Photograph Is The Advent Of Myself As Other: A Cunning Dissociation Of Consciousness From Identity. Even Odder: It Was Before Photography That Men Had The Most To Say About The Vision Of The Double. Heautoscopy Was Compared With An Hallucinosis; For Centuries This Was A Great Mythic Theme.

Someone Tells Me: This Kind Of Love Is Not Viable. But How Can You Evaluate Viability? Why Is The Viable A Good Thing? Why Is It Better To Last Than To Burn?

Ultimately, Photography Is Subversive, Not When It Frightens, Repels, Or Even Stigmatizes, But When It Is Pensive, When It Thinks.

Other Countries Drink To Get Drunk, And This Is Accepted By Everyone; In France, Drunkenness Is A Consequence, Never An Intention. A Drink Is Felt As The Spinning Out Of A Pleasure, Not As The Necessary Cause Of An Effect Which Is Sought: Wine Is Not Only A Philtre, It Is Also The Leisurely Act Of Drinking.